Layers of Memory
is an exhibition that reinterprets Korean memories through garments and space, standing at the boundary between the past and the present.
A "layer" refers to a structure where planes and lines overlap, as well as the process in which similar objects and events are repeated. Based on this concept, the exhibition stacks various layers of memories from different eras of Korea, inviting each viewer to add their own perspective on top.
Inspired by the layered structure of garments, clothing, space, and visual language organically intertwine, crossing and blurring boundaries. The process of layering today’s sensibility over traces of the past goes beyond mere reproduction of memory, becoming a journey of discovering new meanings and values.
We hope visitors will encounter Korean identity from diverse perspectives atop the layered and accumulated memories.
After utilizing all the fabrics, we repurposed the remaining paper tubes to create a sense of unity throughout the exhibition. Made of paper, these tubes symbolically evoke nature — particularly trees — which hold a fundamental place in the collective memory of Korea.
Recycling Paper Tubes
made by midjourney
Frottage Gallery, Sangsu, Korea
Direct connection to nature through folding door window
First space encountered upon entry
Enclosed space disconnected from outside
Dim space due to lack of overall lighting
Ambiguous flow caused by multiple doors
< Other areas >
process
< fashion Designers' Needs >
The most hidden space
→ Changing room
A place to stay briefly while drinking tea
→ Inspired by the traditional Pyungsang (wooden floor bench)
Merchandise sales
→ Arranged using shelves
The first space encountered
→ Begins the exhibition with a "layered" composition by expressing Korean spatial memories of stone walls and mountain ridges
Furniture
→ Made by hand using Jikwan
(Korean paper tubes)
Designer. Sangwoo Lee
Re-evaluating the value of butchers, once regarded as lowly
Positioned opposite the beautiful artwork
to create a strong contrast,
emphasizing a lavish yet heavy atmosphere
Designer. Doyeon Kim
Reinterpreting the distorted identity of "Gisaeng"
* Gisaeng : In the Joseon Dynasty, gisaeng were female entertainers skilled in arts who entertained the elite but were often socially stigmatized
Utilizing natural backgrounds
to highlight beauty and elegance
Designer. Seoyoung Lee
Gathering all garments into a single cohesive artwork to allow free interaction and appreciation
The furniture is designed by adjusting the height and position of each garment to ensure they are clearly visible, and is placed in the most prominent spot
for a strong impact
Designer. Bora Kim
Reinterpreting the traditional Korean landscape painting "Inwang Jesaekdo" through fashion
The garments are displayed harmoniously with the mountain scenery
Point Of arrival
MDF
MDF
MDF
Joint (3d printing)
Paper Tube
Paper Tube
Bolt, Nut
Bolt, Nut
Point Of Departure
< Memory Beyond the Wall >
The wall embodies how patterns, as a cause, generate directionality and form, serving as the backdrop. The furniture was designed based on the idea of mutual support, where the act of supporting and being supported becomes the cause that shapes their forms.
"There Is a Reason for Everything"
Translating a Fashion Designer’s Philosophy into Wall and Furniture
Zone 1
< Materiality, Composition of Events >
Zone 2
< Mountains, Rain, Traces of Memory >
Zone 3
< Hae-eo-hwa (The Flower That Speaks) >
Zone 4
< Sword Dance Above the Abyss >
In the Making
Layers of Memory
is an exhibition that reinterprets Korean memories through garments and space, standing at the boundary between the past and the present.
A "layer" refers to a structure where planes and lines overlap, as well as the process in which similar objects and events are repeated. Based on this concept, the exhibition stacks various layers of memories from different eras of Korea, inviting each viewer to add their own perspective on top.
Inspired by the layered structure of garments, clothing, space, and visual language organically intertwine, crossing and blurring boundaries. The process of layering today’s sensibility over traces of the past goes beyond mere reproduction of memory, becoming a journey of discovering new meanings and values.
We hope visitors will encounter Korean identity from diverse perspectives atop the layered and accumulated memories.
After utilizing all the fabrics, we repurposed the remaining paper tubes to create a sense of unity throughout the exhibition. Made of paper, these tubes symbolically evoke nature — particularly trees — which hold a fundamental place in the collective memory of Korea.
Recycling Paper Tubes
made by midjourney
Frottage Gallery, Sangsu, Korea
Direct connection to nature through folding door window
First space encountered upon entry
Enclosed space disconnected from outside
Dim space due to lack of overall lighting
Ambiguous flow caused by multiple doors
process
< Fashion Designers' Needs >
< Other areas >
The most hidden space
→ Changing room
A place to stay briefly while drinking tea
→ Inspired by the traditional Pyungsang (wooden floor bench)
Merchandise sales
→ Arranged using shelves
The first space encountered
→ Begins the exhibition with a "layered" composition by expressing Korean spatial memories of stone walls and mountain ridges
Furniture
→ Made by hand using Jikwan
(Korean paper tubes)
Designer. Sangwoo Lee
Re-evaluating the value of butchers, once regarded as lowly
Positioned opposite the beautiful artwork
to create a strong contrast,
emphasizing a lavish yet heavy atmosphere
Designer. Doyeon Kim
Reinterpreting the distorted identity of "Gisaeng"
* Gisaeng : In the Joseon Dynasty, gisaeng were female entertainers skilled in arts who entertained the elite but were often socially stigmatized
Utilizing natural backgrounds
to highlight beauty and elegance
Designer. Seoyoung Lee
Gathering all garments into a single cohesive artwork to allow free interaction and appreciation
The furniture is designed by adjusting the height and position of each garment to ensure they are clearly visible, and is placed in the most prominent spot
for a strong impact
Designer. Bora Kim
Reinterpreting the traditional Korean landscape painting "Inwang Jesaekdo" through fashion
The garments are displayed harmoniously with the mountain scenery
Point Of arrival
MDF
MDF
MDF
Joint (3d printing)
Paper Tube
Paper Tube
Bolt, Nut
Bolt, Nut
Point Of Departure
< Memory Beyond the Wall >
The wall embodies how patterns, as a cause, generate directionality and form, serving as the backdrop. The furniture was designed based on the idea of mutual support, where the act of supporting and being supported becomes the cause that shapes their forms.
"There Is a Reason for Everything"
Translating a Fashion Designer’s Philosophy into Wall and Furniture
Zone 1
< Materiality, Composition of Events >
Zone 2
< Mountains, Rain, Traces of Memory >
Zone 3
< Hae-eo-hwa (The Flower That Speaks) >
Zone 4
< Sword Dance Above the Abyss >
In the Making
Layers of Memory
is an exhibition that reinterprets Korean memories through garments and space, standing at the boundary between the past and the present.
A "layer" refers to a structure where planes and lines overlap, as well as the process in which similar objects and events are repeated. Based on this concept, the exhibition stacks various layers of memories from different eras of Korea, inviting each viewer to add their own perspective on top.
Inspired by the layered structure of garments, clothing, space, and visual language organically intertwine, crossing and blurring boundaries. The process of layering today’s sensibility over traces of the past goes beyond mere reproduction of memory, becoming a journey of discovering new meanings and values.
We hope visitors will encounter Korean identity from diverse perspectives atop the layered and accumulated memories.
Frottage Gallery, Sangsu, Korea
Direct connection to nature through folding door window
First space encountered upon entry
Enclosed space disconnected from outside
Dim space due to lack of overall lighting
Ambiguous flow caused by multiple doors
process
< Fashion Designers' Needs >
Designer. Doyeon Kim
Reinterpreting the distorted identity of "Gisaeng"
* Gisaeng : In the Joseon Dynasty, gisaeng were female entertainers skilled in arts who entertained the elite but were often socially stigmatized
Utilizing natural backgrounds
to highlight beauty and elegance
Designer. Sangwoo Lee
Re-evaluating the value of butchers, once regarded as lowly
Positioned opposite the beautiful artwork
to create a strong contrast,
emphasizing a lavish yet heavy atmosphere
Designer. Seoyoung Lee
Gathering all garments into a single cohesive artwork to allow free interaction and appreciation
The furniture is designed by adjusting the height and position of each garment to ensure they are clearly visible, and is placed in the most prominent spot
for a strong impact
Designer. Bora Kim
Reinterpreting the traditional Korean landscape painting "Inwang Jesaekdo" through fashion
The garments are displayed harmoniously with the mountain scenery
< Other areas >
The most hidden space
→ Changing room
A place to stay briefly while drinking tea
→ Inspired by the traditional Pyungsang (wooden floor bench)
Merchandise sales
→ Arranged using shelves
The first space encountered
→ Begins the exhibition with a "layered" composition by expressing Korean spatial memories of stone walls and mountain ridges
Furniture
→ Made by hand using Jikwan
(Korean paper tubes)
The wall embodies how patterns, as a cause, generate directionality and form, serving as the backdrop.
The furniture was designed based on the idea of mutual support, where the act of supporting and being supported becomes the cause that shapes their forms.
"There Is a Reason for Everything"
Translating a Fashion Designer’s Philosophy into Wall and Furniture
Zone 1
< Materiality, Composition of Events >
Zone 2
< Mountains, Rain, Traces of Memory >
Zone 3
< Hae-eo-hwa (The Flower That Speaks) >
Zone 4
< Sword Dance Above the Abyss >
Point Of arrival
In the Making
MDF
MDF
MDF
Joint (3d printing)
Paper Tube
Paper Tube
Bolt, Nut
Bolt, Nut
Point Of Departure
< Memory Beyond the Wall >
After utilizing all the fabrics, we repurposed the remaining paper tubes to create a sense of unity throughout the exhibition. Made of paper, these tubes symbolically evoke nature — particularly trees — which hold a fundamental place in the collective memory of Korea.
Recycling Paper Tubes
made by midjourney